Also makes it easier for a sound man if you use one amp. Two rigs really only makes sense in a gigging situation when you can get further away from them - stand too close and you'd hear the different sounds from distinct sources making it weird to play and/or tweak mid-gig. On a small stage, like most pub venues, using a single amp actually makes more sense because you will hear the same blended sound that the audience (standing further away) will hear. It's simpler than I've probably made it sound. This will make the Audio coming to the input to also go thru the outputs so.
2 - Open a DAW (or any software that has Monitoring) and enable the software monitoring, this is ussually a speaker icon in the DAW track but depends on which DAW you use. Then again, this is what you can do when you practically own a monopoly over something. 1- Connect the output of your headphones to the input of your Sampler, turn on direct monitoring.
And not in the free Kontakt Player but the full version. All samples were recorded from the Rick-O-Sound stereo output, which made it possible to. To blend the relative volumes of the direct-to-amp signal and the via-f/x-return signal, use the preamp pedal's volume control. The scripting options included in Kontakt has seduced most of the big names in VST library business and a great number of smaller ones to set their products to run in Kontakt. a preamp pedal, to bring the signal up to line-level (F/X loops tend to run at Line level rather than instrument level). You'll probably need a booster of some type in this line e.g. Plug it into the Ric-o-Sound and then:Ģ-channel option plug one each into the 2 inputs (via f/x pedals if you want) and EQ and blend the two channels on the amp to tasteįX loop Plug one lead (via f/x pedals) into the amp direct and plug the other via f/x pedals into the FX return. Take a stereo splitter (one that splits L & R into two separate output leads, rather than those which send L+R combined to each output lead.). Already famous as a ‘mix sitter’ against a wall of guitars, the 4003 greatly improved the bass response of the 4001’s neck pickup to give it the balanced tonal response it has.
Or if not, it can still be done if it has an FX loop. SCARBEE RICKENBACKER BASS is based on the Rickenbacker 4003, released in 1980 as the successor to the 4001 model that had been in consistent use since 1960. Two rigs would be the optimum way to go but it can be done with one amp if the amp has 2 channels that can run simultaneously.